red-markets-posterNews: Check out the Red Markets campaign page. All of the episodes of the campaign are linked for easy access.

Synopsis: The first Red Markets campaign is done, so we had to talk about it. Caleb, Aaron, Tom, David, and I talk about the concept for the campaign, how we came up with our characters, and what worked and didn’t work. Find out what rules changed in the game as a result of this campaign, what was unexpected and what our favorite moments were. It was a fun and lengthy discussion, so no shout outs or anything else with this episode. See you at Gen Con!

Song: Odyssey by HOME

gencon-simNews: No Soul Left Behind is now available in print! Backers should get their copies soon. Also, Firewall will soon be out in print.

Synopsis: Gen Con is over and what a time we had! Between the games we played, fans we met, and panels we ran or attended, all of us had a blast this year. In this special extra long episode, we discuss our most memorable experiences of the con, and of course, our loot. Hear from Caleb, Tom, Aaron, David, Dan, Bill, Melissa, Michelle, and myself as we go over the con!

Shout Outs (wow so many very links)

Music: The Mach Rider by the Encounter.

kaGh5_patreon_name_and_messageRole Playing Public Radio is now on Patreon! Instead of just asking for contributions and keeping the status quo, we are going to up our game by creating a brand new podcast series for our patrons. RPPR After Hours is a comedic roundtable where we talk about pop culture and obscure tabletop gaming products. To give you a taste, I’ve added part 1 of our first episode to the main podcast feed. We talk about Death Valley Free Prison, a vintage 1980s rpg supplement if there ever was one, the Oscars, and Destiny, the video game.If you enjoy it, you should become a backer in order to hear the rest of the episode.

Please note that we will continue to release the main podcast and AP episodes for FREE for the foreseeable future. Only bonus content created exclusively for Patreon will be locked behind the paywall.

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